Rackmount Catologe
System 9098 Mic-amp Equaliser The System 9098 EQ is a high performance equaliser and preamplifier designed to originate microphone signals of the highest quality and to process signals generally in terms of frequency response. The circuitry is based on the research Mr Rupert Neve put into the early 9098 console and the approach bears many similarities to that used in the 9098. |
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Pure Path Dual Mic-amp Compressor-Limiter
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Summit MPE-200 Dual Mic-amp Equaliser The MPE-200 is the first product in the new Element 78 line of Class A solid state signal processing units from Summit Audio. The MPE-200 features two channels of microphone preamp and two channels of parametric EQ, all discrete class A transformer coupled, designed by Summit Audio with Mr. Rupert Neve. Add to the incredible sound of these preamps and EQs the versatility, precision, and control of a digital interface, and the vision of Element 78 is realized: a no-compromise analog signal path combined with an easy-to-use and powerful digital front-end. Features include 25 on-board presets for instant recall and reset capabilities, full MIDI support for storage of settings and automation, support for Digidesigns ProTools (see Extension 78), two world-class microphone preamps, two four band parametric equalizers (preamps and EQ can be used separately or routed together internally), two filters per preamp (high and/or low pass, stackable for 24 dB/ octave rolloff), 48 volt phantom power, phase reversal, analog fading and more. |
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Broadhurst Gardens No. 1 Dual Mic-amp
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UREI 1176LN Limiter Black face Mono solid state compressor/limiter, using FET gain reduction. Stereo linkable with 1176SA. Designed by Bill Putnam in the late 1960s, the 1176 evolved from the Universal Audio 175 and 176 vacuum tube limiters. Universal Audio claim it was the first true peak limiter with all transistor circuitry, and as the modified 1176LN (low noise) version it went on to become an absolute classic. Few serious studios have been without one since the early 1970s. |
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UREI 1176LN Limiter Silver face
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UREI 1178 Stereo Limiter
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Focusrite Blue-230 Stereo Compressor-Limiter
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Waves L2 Ultra-maximiser Digital Limiter You can use L2 to significantly increase the average signal level of
typical audio signals without introducing audible side effects. Its
superb for mastering, mixing, and recording, but equally capable of extreme
limiting, intentional pumping, and vintage dynamic processing effects.
Take L2 with you to every live sound venue, recording studio, mastering
house and DAW for producing the hottest audio wherever and whenever you
want. |
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Aphex Compellor |
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Aphex special compressor. |
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DBX 160 Compressor-Limiter |
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Classic DBX. Punchy. |
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Drawmer DS201 Dual Gate |
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Dual channel frequency selective gate. This is the benchmark | |
Eventide H949 Harmonizer The last of the non-DSP harmonizers. This has a special sound of it's own. |
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Eventide H3000 D/SE Ultra-Harmonizer | |
The Ultra harmonizer with dynamic control. The last and best of the 3000 series. |
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Fostex CR200 CD Recorder | |
Fostex D5 DAT Recorder | |
Lexicon PCM70 Reverberator Classic mid range Lexicon. Still has that sweet sound. |
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UREI LA-22 Stereo Compressor-Limiter Frequency selective compression plus peak limiter. Compresses only the frequency band selected. Peak stop limiter also. |
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AMS RMX16 Reverberator |
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The famous AMS |
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Alesis XTC Reverberator Chunky and thick, early Alesis sound. |
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DBX 120X and 500 Sub-harmonic Synthesizer
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Lexicon 224 Reverberator Another classic, 2 in 4 out. |
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Klark Teknik DN780 Reverberator Similar sound to the AMS, more programs and greater editing. |
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? 4 separate units: ? M7 Modulators ? R7 Reverberator ? F7 filters ? D7 Delay |
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White 4400 Equaliser |
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DBX 902 De-esser The best de-esser I have tried. |
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Roland SRE-555 Tape Echo This is the rackmount version of the 501. Essential tape echo! |
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SPL Tube Vitalizer 9530
Compared with traditional equalizer designs, the Vitalizer combines virtuosic manipulations of the sound image with maximal efficiency. It meets the highest standards in every way in the professional sound studio and in mastering both in single channel and subgroup processing as well as in refining summing signals. One of its most popular uses is in restoring old recordings the Tube Vitalizer makes remastering a joy. |
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Krohn-Hite 3202R 2 Channel Tuneable Filter The 3202R Dual Channel Tunable Filter is a rack mounted, all solid-state
variable electronic filter with low-pass, high-pass, band-pass, and band-reject
capabilities. |
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TC Electronics 2290 Dynamic Delay Acclaimed as the Industry Standard Digital Delay, the TC 2290 is to be
found in recording studios, PA rigs and guitarists FX racks around
the globe. |
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Audio Design Recording F760RS Classic English gate, compressor, limiter. |
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Aphex model 602 Aural Exciter The first aural exciter it was the tube model 402, the 602 is an upgraded transistorized version. Compression is included in this model. |
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Apogee Electronics PSX-100
The inclusion of 88.2 and 96kHz sample rates makes the PSX-100 ideal for such applications as mastering high-resolution CDs utilizing 88.2kHz sampling, or for DVD-Audio masters sampled at 96kHz with 24-bit resolution. Meanwhile, the inclusion of UV22 to reduce the word length from 24 to 20 or 16 bits makes the unit equally suitable for traditional 16-bit CD mastering or for DVD-Video soundtracks requiring 20-bit signals sampled at 48 kHz. |
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Dolby 361 Noise Reduction Available with 'A' or 'SR' modules. |
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Studer A810 1/4 Tape Recorder
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Revox A77 1/4 Tape Recorder Half track 7.5ips and 15ips with optional Dolby noise reduction. Suitable for location analogue recording. This machine has been optimised for lower noise, lower distortion, and set up to match professional signal levels. |
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